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Benedick monologue

I do much wonder that one man, seeing how much
another man is a fool when he dedicates his
behaviors to love, will, after he hath laughed at
such shallow follies in others, become the argument of his own scorn by falling in love: and such a man is Claudio. I have known when there was no music with him but the drum and the fife; and now had he rather hear the tabour and the pipe: I have known when he would have walked ten mile a-foot to see a good armour; and now will he lie ten nights awake, carving the fashion of a new doublet. He was wont to speak plain and to the purpose, like an honest man and a soldier; and now is he turned orthography; his words are a very fantastical banquet, just so many strange dishes. May I be so converted and see with these eyes? I cannot tell; I think not: I will not be sworn, but love may transform me to an oyster; but I'll take my oath on it, till he have made an oyster of me, he shall never make me such a fool. One woman is fair, yet I am well; another is wise, yet I am well; another virtuous, yet I am well; but till all graces be in one woman, one woman shall not come in my grace. Rich she shall be, that's certain; wise, or I'll none; virtuous, or I'll never cheapen her; fair, or I'll never look on her; mild, or come not near me; noble, or not I for an angel; of good discourse, an excellent musician, and her hair shall be of what colour it please God. Ha! the prince and Monsieur Love! I will hide me in the arbour.
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Joe Olivieri

Joe Olivieri is Associate Professor of Acting at the University of California, Los Angeles, and the author of "Shakespeare Without Fear: A User-Friendly Guide to Acting Shakespeare." His regional theater credits include stints with Denver Center, PCPA Theaterfest, San Jose Repertory Company, Pittsburgh's City Theater, the Carnegie Mellon Showcase of New Plays and the American Conservatory Theater.
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Benedick monologue
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Dan Keleher

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James Gallo

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Shawn Colten

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Andreas Riter